Anaïs Senli
Anaïs Senli is an artist and independent curator. She likes to explore notions of collectivity, relationality, identity, and otherness to investigate the complex symbiotic relationships that interconnect us. She has a garden where she grows lettuce and nettles.
Anaïs Senli is an artist and independent curator. She likes to explore notions of collectivity, relationality, identity, and otherness to investigate the complex symbiotic relationships that interconnect us. She has a garden where she grows lettuce and nettles.
Lorena Juan
Lorena Juan is a researcher and curator based in Berlin and Freiburg. She reads about geological phases of planet earth before sleeping and enjoys studying the weedy entanglements of language.
Lorena Juan is a researcher and curator based in Berlin and Freiburg. She reads about geological phases of planet earth before sleeping and enjoys studying the weedy entanglements of language.
Sonia Fernández Pan
Sonia Fernández Pan writes, curates, makes podcasts, and moves in migrant rhythms. Berlin is where she spends most of her time, a city full of weeds opposing censorship and official lies.
Sonia Fernández Pan writes, curates, makes podcasts, and moves in migrant rhythms. Berlin is where she spends most of her time, a city full of weeds opposing censorship and official lies.
Sylvia Sadzinski
Sylvia Sadzinski curates, researches, writes, teaches and lectures. Although her last name means the planter in Polish, she doesn’t enjoy gardening — but she loves creating spaces and moments of coming together.
Sylvia Sadzinski curates, researches, writes, teaches and lectures. Although her last name means the planter in Polish, she doesn’t enjoy gardening — but she loves creating spaces and moments of coming together.
Wildpinkler*innen
Collective outdoor action by Daniela Medina-Poch, FLINTA waters and weeds
(in English)Place: Entrance to Kunstraum Kreuzberg/Bethanien
Time: 11/8/2025 at 16:27 pm.
Peeing in public space and the life of weeds are closer than you might think. To find out, we invite you to relax, release, and make yourself at home alongside bushes and weeds. Together, we may answer the following questions and formulate new ones: How can the feral qualities of weeds inspire our bodies? What is the sonic composition of our pee? Can we form a collective stream of water? shuuuuusuuuuishui
Kunstraum Bethanien/Kreuzberg
Eröffnung 17. Oktober
2025, ab 17:00 Uhr
Begrüßung: 19:00 Uhr
Der Kunstraum Kreuzberg / Bethanien ist eine Einrichtung des Bezirksamtes Friedrichshain-Kreuzberg.
Louder, Taller, Uglier, Weirder - Learning from Weeds / Von Unkraut lernen ist der erste Teil einer Ausstellungs- und Veranstaltungsreihe, die in mehreren Berliner kommunalen Galerien in den Bezirken Friedrichshain-Kreuzberg, Mitte und Neukölln stattfindet. Ermöglicht durch Mittel der Senatsverwaltung für Kultur und Gesellschaftlichen Zusammenhalt: Spartenoffenen Förderung, Fonds für Kommunale Galerien (KOGA).
Kunstraum Bethanien/Kreuzberg
Mariannenplatz 2
10997 Berlin
U-Bahn Kottbusser Tor
Bus 140, M29
T: 030/90298-1454
Leitung Kunstraum Kreuzberg/Bethanien: Stéphane Bauer
Programmkoordination: Sofía Pfister
Produktionsleitung: Ignacio Rivas
Projektmitarbeit: Frances Breden, Hassan Elmalik,
Dani Hasrouni & Mareike Lange
Aufbauteam: Carlos Busquets, Tibor Horvath, Diego Lucas, Yasmin Nebenführ, Dušan Rodić, Mariano Rosales and Mark Stroemic
Galerieaufsicht: Dilara Buzoglu, Antonia Döß, Jennifer Fink, Lara Jablonski, Maximilian Kaiser, Tetiana Kornieieva, Luca Kramer, Polina Piddubna, Hannah Papendieck, Marlene Risse, Luise Sandberger
Übersetzungen ins Deutsche: Gegensatz Translation Collective / Lektorat Englisch: Harley Aussoleil
Grafikdesign: Tessa Curran (lotsofbroth) & Studio Kitschen
Of Roses [how to embody the layers of time] (2021) by Eve Tagny
Film Screening und Artist Talk (in English) in collaboration with Xanadu
Place: Xanadu, Altenbraker Straße 18, 12053 Berlin
Time: 15/10/2025 / Entry 19:00, Screening 19:30
In Of Roses [how to embody the layers of time] (CAN 2021, 65 Min.), Tagny traces the colonial history of rose cultivation, showing how this emblem of beauty was shaped by imperial trade, botanical displacement, and extractive gardening practices. The film probes how roses embody entanglements of power, desire, and belonging across histories of cultivation and control.